Category Archives: 50 Cent
Murda roasted Young Buck in his annual track, “2018 Rap-Up”!
Young Buck released three mixtapes: 10 Plugs, 10 Politics, 10 Felonies in 2018, but there are no G-Unit logo on these arts of mixtapes, only Young Buck’s label Cashville Records symbols are on the art pictures.
The Queens rapper still pushing repetitive nihilism and G-Unit production styles instead of branching out and taking chances with his music.
50 Cent is a noted disciple of self-help guru Robert Greene’s Machiavellian handbook, The 48 Laws of Power. Not only has the muscle-bound hip-hop colossus modeled his career after the cutthroat guide, he’s working with Greene on a street-flavored addendum called The 50th Law. So far, the four dozen over-the-top credos have worked swimmingly for 50: He’s sold more than 20 million albums worldwide since 2003 while pulling in auxiliary profits with Vitamin Water and other less amusing side hustles.
50 Cent was the first artist to ever accept Bitcoin as a form of payment for his work and this was back in 2014. According to sources, the rapper was selling his album for Bitcoin which was valued around $662 per Bitcoin. He’d accept fractions of Bitcoins which ultimately amounted to a whole lot.
Lil' Wayne:"I want off this label(Birdman's Cash Money Records) and nothing to do with these people(Birdman…) but unfortunately it ain't that easy,I am a prisoner and so is my creativity."
Cash Money CEO Birdman took to Instagram Tuesday (June 6) to explain that he wants to executive produce 50 Cent’s next album, more specifically, a sequel to 2003’s classic Get Rich Or Die Tryin’. He believes with his touch, it will go platinum “plus.” Fiddy’s last two albums, 2009’s Before I Self Destruct and 2014’s Animal Ambition failed to surpass Gold status (the latter didn’t even hit that milestone), however, Get Rich Or Die Tryin’ is certified six-times platinum by the RIAA.
Spider Loc-Gangbangin’ 101
Spider Loc’s reputation precedes him. The Cali native’s gang affiliation, intimidating persona and penchant for beef make him one of G-Unit’s most intriguing figures. The 28-year-old MC was discovered in 2001 after he freestyled for Suge Knight at a local restaurant. Although he never officially signed with Tha Row, Loc worked exclusively with the label and appeared on their 2002 motion picture soundtrack, Dysfunktional Family. The following year,
When a rapper with as high a profile as 50 Cent declares bankruptcy, you could power a small nation with the schadenfreude. Twitter wags – inevitably – weighed in, with various puns on Curtis Jackson’s chosen alias, while others laboured to make jokes about the EU bailing him out. Newspapers printed pictures of him festooned with gold and captions advising him to visit the nearest branch of Cash Converters. There were few well-wishers, or people organising volunteers to run “a mile for Fiddy”.
On the face of it, this gleeful celebration of misfortune is hardly surprising. The setback follows hard on the heels of a jury ordering Jackson to pay $5m in an invasion of privacy case that saw him delivering a tasteless and unfunny narration over a sex tape. 50 Cent’s larger than life approach – encompassing a hugely successful rap career (2003’s album Get Rich or Die Tryin’ sold over 12m copies that year alone), high-profile business ventures (his stake in Vitaminwater is rumoured to have made him $100m), spats with other rap stars such as The Game and Rick Ross, and acting (he plays the trainer in the recent Jake Gyllenhaalfilm Southpaw) – was bound to have commentators chiding him for his hubris when he hit a bump in the road.
It’s rare that a victory lap amounts to much more than gratuitous showboating or preening for your adoring crowd. Yet in 2003, with a planned retirement in his sights, Jay Z went hard in the paint instead of gentle into that good night. The Black Album, which was at the time hailed as his final album, effectively obliterated any and all doubts following his indulgent yet successful The Blueprint 2: The Gift & The Curse. Boasting some of the biggest hip-hop producers of its time —The Neptunes, Timbaland, and Kanye West — the record largely eschewed special guests and put the spotlight firmly on the Brooklyn emcee at what could be considered his creative zenith. With ubiquitous singles like “Dirt Off Your Shoulder” and “99 Problems,” it went triple-platinum in less than two years.